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It is all very palace of the varieties, very 19th century. Indeed the story of pirates odalisques, based on the Byron poem of 1814, was intensely popular throughout that century, with the first of many ballet versions staged in 1826. What has made Le Corsaire famous, however, is the later addition of the pas drsquo;action between the hero Conrad, his beloved Medora, his slave Ali. Alirsquo;s show-stopper solo, as danced by Rudolf Nureyev at his most god, seemed to redefine the word ldquo;bravurardquo;. When seen in context (performed here by a very fine Junor Souza), one realizes that it is merely typical of the whole ballet.